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<channel>
	<title>Karl J Murphy</title>
	<link>https://karlmurphy.net</link>
	<description>Karl J Murphy</description>
	<pubDate>Tue, 27 Apr 2021 14:17:30 +0000</pubDate>
	<generator>https://karlmurphy.net</generator>
	<language>en</language>
	
		
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		<title>Home Image Scroll</title>
				
		<link>https://karlmurphy.net/Home-Image-Scroll</link>

		<pubDate>Fri, 23 Apr 2021 15:18:11 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

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&#60;img width="4333" height="6500" width_o="4333" height_o="6500" data-src="https://freight.cargo.site/t/original/i/6ff12de00e34b5b2bca3721207227a34dd868f9bcd0a0fcbd5620fea74d091e3/134_Extend-My-Arms-Exhibition.jpg" data-mid="235429193" border="0"  src="https://freight.cargo.site/w/1000/i/6ff12de00e34b5b2bca3721207227a34dd868f9bcd0a0fcbd5620fea74d091e3/134_Extend-My-Arms-Exhibition.jpg" /&#62;
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		<title>Hecatoncheires</title>
				
		<link>https://karlmurphy.net/Hecatoncheires</link>

		<pubDate>Fri, 23 Apr 2021 15:18:13 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

		<guid isPermaLink="true">https://karlmurphy.net/Hecatoncheires</guid>

		<description>2. Hecatoncheires / There is beauty in the line of the scar
&#60;img width="3091" height="2048" width_o="3091" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5a1b79b328506c9af694cdfd0900db0592822136394095ff53347bc06708e0ce/MAIN.jpg" data-mid="113007640" border="0"  src="https://freight.cargo.site/w/1000/i/5a1b79b328506c9af694cdfd0900db0592822136394095ff53347bc06708e0ce/MAIN.jpg" /&#62;
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&#60;img width="725" height="1024" width_o="725" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e315cb91974110a412c25c5d48386e56c9253c1c5a4df229f8782292b7cd84ff/THIIIRD_5_red_1024x1024.jpg" data-mid="113009877" border="0"  src="https://freight.cargo.site/w/725/i/e315cb91974110a412c25c5d48386e56c9253c1c5a4df229f8782292b7cd84ff/THIIIRD_5_red_1024x1024.jpg" /&#62;

This project originates from Fayann Smith’s text “There is beauty in the line of the scar”, which prompted me to reflect on its implications for queerness. I began to consider queer bodies as sites of transformation and change, spaces through which alternative possibilities for being can be imagined. In this context, I drew inspiration from the Hecatonchires of Greek mythology—multi-armed beings whose power and unpredictability even the gods fear. The Hecatonchires operate as agents of change, embodying mutability and disruption.




Hecatonchires is a collaborative piece between myself and Fayann Smith, featuring model @dastansatoshi and photographed by @sweatmother for the new issue of Thiird Magazine.


I extend my gratitude to everyone involved in this project and to the team at Thiird for providing this opportunity. Photography was executed on 35mm film, Flag 2021.






	

	

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	<item>
		<title>Songs for wild boys</title>
				
		<link>https://karlmurphy.net/Songs-for-wild-boys</link>

		<pubDate>Fri, 23 Apr 2021 15:18:13 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

		<guid isPermaLink="true">https://karlmurphy.net/Songs-for-wild-boys</guid>

		<description>1. Songs for wild boys



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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Songs For Wild Boys was an exchange over distance through image and poetry by artists Karl Murphy and Arabee Beveridge which was hosted by Aplpip Arts in Dorest.&#38;nbsp; Over 31 days Arabee exchanged images either captured or created of the Aplpip Arts space and surrounding areas in Dorset.&#38;nbsp; Murphy will responded through poetry, Arabee through image.&#38;nbsp; This 31 day conversation rand from the 1st until the 31st March 2021 and the full work can be found at https://www.instagram.com/aplpip_arts/. A publication will be coming shortly. Scroll down for a selection of the work.&#38;nbsp;




	
Images by Arabee Beveridge&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cfd6dd1bd6567f8052fd34e4263486f35c457ac9477c0d1b29986b27d157e866/day31.jpg" data-mid="106477360" border="0"  src="https://freight.cargo.site/w/1000/i/cfd6dd1bd6567f8052fd34e4263486f35c457ac9477c0d1b29986b27d157e866/day31.jpg" /&#62;

	
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001c&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/712741e3d7c658412d88712375f1d655db8ae5d2e431e1cab37732a6cba581de/day24.jpg" data-mid="106469192" border="0"  src="https://freight.cargo.site/w/1000/i/712741e3d7c658412d88712375f1d655db8ae5d2e431e1cab37732a6cba581de/day24.jpg" /&#62;



&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/70f77e455c0a555ba29fb5fa885ce981fc753dd7952a36a59f2b3cd49629a335/168297062_10224337094230636_6903159941283912575_n.jpeg" data-mid="106477208" border="0"  src="https://freight.cargo.site/w/1000/i/70f77e455c0a555ba29fb5fa885ce981fc753dd7952a36a59f2b3cd49629a335/168297062_10224337094230636_6903159941283912575_n.jpeg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/71841a38a4ae7dca27e1a50df0a6c9dbc2777440aca09a7d3c8cb7ae77a1f505/168475327_10224337094270637_8627034685318389616_n.jpeg" data-mid="106477211" border="0"  src="https://freight.cargo.site/w/1000/i/71841a38a4ae7dca27e1a50df0a6c9dbc2777440aca09a7d3c8cb7ae77a1f505/168475327_10224337094270637_8627034685318389616_n.jpeg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a1d13f15c87c00813c907a6a747cb6f0f00d05918e86a4b9a662f6da38d8debc/167950778_10224337094350639_3781855972867225446_n.jpeg" data-mid="106477224" border="0"  src="https://freight.cargo.site/w/1000/i/a1d13f15c87c00813c907a6a747cb6f0f00d05918e86a4b9a662f6da38d8debc/167950778_10224337094350639_3781855972867225446_n.jpeg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c30a1fb7fa2cf1f04b7ed52d36dae0b419a177c8528b370e75211e1fff71109c/day7.jpg" data-mid="106479158" border="0"  src="https://freight.cargo.site/w/1000/i/c30a1fb7fa2cf1f04b7ed52d36dae0b419a177c8528b370e75211e1fff71109c/day7.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2e4cd6ee7d5077ac6d3e17b52129fbfa68b01b395888e269c8b9b441cc5e2f80/day7slide1.jpg" data-mid="106479163" border="0"  src="https://freight.cargo.site/w/1000/i/2e4cd6ee7d5077ac6d3e17b52129fbfa68b01b395888e269c8b9b441cc5e2f80/day7slide1.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/44c2156ed19763fe31bbb3350d4c36b9336c350d75a57fda65f623ae084e2047/day26.jpg" data-mid="106480031" border="0"  src="https://freight.cargo.site/w/1000/i/44c2156ed19763fe31bbb3350d4c36b9336c350d75a57fda65f623ae084e2047/day26.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a1b81428fc01abb96a951183496d18f79d8f606918cc0bf886399f3c35636484/day6slide1.jpg" data-mid="106480092" border="0"  src="https://freight.cargo.site/w/1000/i/a1b81428fc01abb96a951183496d18f79d8f606918cc0bf886399f3c35636484/day6slide1.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/af2ed5d95f15cf30d74f486afa6339ab3037af7d62f10c04a35c5221d5ca9c08/day6slide2.jpg" data-mid="106480100" border="0"  src="https://freight.cargo.site/w/1000/i/af2ed5d95f15cf30d74f486afa6339ab3037af7d62f10c04a35c5221d5ca9c08/day6slide2.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b582f0e67ac28fc927b9e865c7e32be993651ecb31f282e6d4ab262926764763/Day2.jpg" data-mid="106467678" border="0"  src="https://freight.cargo.site/w/1000/i/b582f0e67ac28fc927b9e865c7e32be993651ecb31f282e6d4ab262926764763/Day2.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/693fdd514b55b473d63bb85e6ff92f6a28b6a0968c1c1ca20be3337dcf0f1171/day1slide1.jpg" data-mid="106469651" border="0"  src="https://freight.cargo.site/w/1000/i/693fdd514b55b473d63bb85e6ff92f6a28b6a0968c1c1ca20be3337dcf0f1171/day1slide1.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0e96dfd07fd5e78949ebd11da45b51a4abccc72623e3ec4fcd46d6c8bcc3db0e/day1slide2.jpg" data-mid="106469652" border="0"  src="https://freight.cargo.site/w/1000/i/0e96dfd07fd5e78949ebd11da45b51a4abccc72623e3ec4fcd46d6c8bcc3db0e/day1slide2.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c99754e11b4ef13e8e452547e15f405391a0ea811cadcfefe172a28deb685d00/day1slide3.jpg" data-mid="106469653" border="0"  src="https://freight.cargo.site/w/1000/i/c99754e11b4ef13e8e452547e15f405391a0ea811cadcfefe172a28deb685d00/day1slide3.jpg" /&#62;</description>
		
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	<item>
		<title>I can only Apologise </title>
				
		<link>https://karlmurphy.net/I-can-only-Apologise</link>

		<pubDate>Fri, 23 Apr 2021 15:18:14 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

		<guid isPermaLink="true">https://karlmurphy.net/I-can-only-Apologise</guid>

		<description>3. I can only apologise &#38;nbsp;






I can only apologise - Interactive Apology Generator with Arduino Capacitive Sensor
 &#60;img width="1146" height="696" width_o="1146" height_o="696" data-src="https://freight.cargo.site/t/original/i/ffbff7baf5b97f4d75c83f196b5b0ea8cf8ada782238015c0500f9bcd66c87ec/Screenshot-2021-03-26-at-12.11.06.png" data-mid="106485716" border="0"  src="https://freight.cargo.site/w/1000/i/ffbff7baf5b97f4d75c83f196b5b0ea8cf8ada782238015c0500f9bcd66c87ec/Screenshot-2021-03-26-at-12.11.06.png" /&#62;</description>
		
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	<item>
		<title>It's been that way since</title>
				
		<link>https://karlmurphy.net/It-s-been-that-way-since</link>

		<pubDate>Fri, 23 Apr 2021 15:18:14 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

		<guid isPermaLink="true">https://karlmurphy.net/It-s-been-that-way-since</guid>

		<description>4. It’s been that way since&#38;nbsp;




	
	



“It's been this way since” seeks to question the relevance of a national collection during a time of crisis. Disrupt the Eurocentric narrative of these works, question the role and relationship of the institution to queer bodies and challenge western cultural hierarchy. The work&#38;nbsp; was created as part of an online show “Speaking in tounges” developed in a partnership with The National Gallery, London’s Learning &#38;amp; National Programmes.

All of the dancers within the work are part of Harpies the UK’S first LGBTQI+ Strip Club (@harpiesinthesky). These dancers are currently hosting live streams of dances every Friday and can be supported financially via PayPal here - https://www.paypal.com/pools/c/8o9hm6jsaU

All of the dancers created their own content at home during the pandemic. A huge thank you to Taboo, Lucia Blayke, Chiyo and Oliver Charles Christian for contributing to the work. 
</description>
		
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	<item>
		<title>Love and war in perpetual motion</title>
				
		<link>https://karlmurphy.net/Love-and-war-in-perpetual-motion</link>

		<pubDate>Mon, 26 Apr 2021 17:04:47 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

		<guid isPermaLink="true">https://karlmurphy.net/Love-and-war-in-perpetual-motion</guid>

		<description>Love and War in Perpetual Motion

Love and War in Perpetual Motion was a large-scale commissioned work by Karl Murphy, presented at the Institute of Contemporary Arts (ICA), London, as part of the INFERNO Takeover in 2020. Curated by INFERNO London, the event brought together new works by queer artists including Sweat Mother and Nick Finegan, with documentation by Anne Tetzlaff.


Images by Anne Tetzlaff.

“INFERNO at the ICA commissioned new works by Nick Finegan, Sweatmother and Karl Murphy, each engaging with the rave as a queer ritual of transformation, resistance, and relation.”

- Marcus Bell, University of Oxford, in Agôn – revue des arts de la scène






&#60;img width="901" height="594" width_o="901" height_o="594" data-src="https://freight.cargo.site/t/original/i/641120ea8464a66134395d46eca8eb75d0329e1656a492f86531cf71a7dd1aed/Screenshot-2021-04-26-at-13.22.50.png" data-mid="106493690" border="0"  src="https://freight.cargo.site/w/901/i/641120ea8464a66134395d46eca8eb75d0329e1656a492f86531cf71a7dd1aed/Screenshot-2021-04-26-at-13.22.50.png" /&#62;&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/50514c7bcdd65548ce2c913d50e6d34dce5569f68bc6728c5bf3f06baeb401c5/INFERNO-at-ICA_Photo-credit--Anne-Tetzlaff-8580-2-1024x683.jpg" data-mid="106497383" border="0"  src="https://freight.cargo.site/w/1000/i/50514c7bcdd65548ce2c913d50e6d34dce5569f68bc6728c5bf3f06baeb401c5/INFERNO-at-ICA_Photo-credit--Anne-Tetzlaff-8580-2-1024x683.jpg" /&#62;&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/bce3c40f88e7d48275eff285dd16a2f648c97c09b4ab98f1bcb9bd2ccfd19743/INFERNO-at-ICA_Photo-credit--Anne-Tetzlaff-9538-1024x683.jpg" data-mid="106497392" border="0"  src="https://freight.cargo.site/w/1000/i/bce3c40f88e7d48275eff285dd16a2f648c97c09b4ab98f1bcb9bd2ccfd19743/INFERNO-at-ICA_Photo-credit--Anne-Tetzlaff-9538-1024x683.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/f44d61937046481355a124aa40c92e95bd9c1a5067de8276079f2d79e66ac871/Performance---INFERNO-Anne-Tetzlaff.jpeg" data-mid="106497786" border="0"  src="https://freight.cargo.site/w/1000/i/f44d61937046481355a124aa40c92e95bd9c1a5067de8276079f2d79e66ac871/Performance---INFERNO-Anne-Tetzlaff.jpeg" /&#62;

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		<title>Don't leave me this way</title>
				
		<link>https://karlmurphy.net/Don-t-leave-me-this-way</link>

		<pubDate>Mon, 26 Apr 2021 17:18:21 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

		<guid isPermaLink="true">https://karlmurphy.net/Don-t-leave-me-this-way</guid>

		<description>Don’t leave me this way


Don’t Leave Me This Way was a durational performance featuring Dastan Satoshi, Karl Murphy, Jade Baldo, Evil Kebab, and Emily Rose, who walked continuously for five hours around Lucia Blake as she danced to The Commodores’ single “Don’t Leave Me This Way.” The performance addressed the tokenization of queer bodies by institutions and audiences.


The work was presented at Tate Modern as part of Tate Exchange on January 16th. Photography was by Rachel Steele.





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		<title>Men explain paintings</title>
				
		<link>https://karlmurphy.net/Men-explain-paintings</link>

		<pubDate>Tue, 27 Apr 2021 14:17:30 +0000</pubDate>

		<dc:creator>Karl J Murphy</dc:creator>

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		<description>Men explain paintings


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